REVIEWS aND INTERVIEWS

REVIEW: The Guardian, Februar 2025: “Organised Delirium: Piano Sonatas by Boulez, Shostakovich, Bartók and Eisler album review - coruscating and exceptional”

INTERVIEW: Gramophone, Februar 2025: “Boulez’s Second Piano Sonata: inside the score with Tamara Stefanovich”

PODCAST: Hamburger Abendblatt, Februar 2025: “Sucht man Komfort, wird das Hirn ausgeschaltet”

INTERVIEW: Piano Street Magazine, Dezember 2024: “Combining and Exploring Pianistic Worlds”

INTERVIEW: Fono Forum, Februar 2025: “Absolute Glückseligkeit”

ESSAY: VAN Magazin, Februar 2025: “Between the Sky and the Earth”

ESSAY: VAN Magazin, Februar 2025: “Nicht im Himmel, nicht auf der Erde”

REVIEW: Jerusalem Post, December 2019 - Mozart Concerto with the Israel Philharmonic and Kirill Petrenko

REVIEW: BR-Klassik, December 2019: “Die besten CD-Aufnahmen des Jahres 2019”

REVIEW: The Guardian, December 2019: “The Top 10 Classical Music Events Of 2019”

REVIEW: Crescendo Magazin, December 2019: "Un concept intriguant pour un récital poignant avec Tamara Stefanovich”

REVIEW: Classical Source, November 2019: Tamara Stefanovich - The Art Of The Étude

INTERVIEW: Fono Forum, November 2019: “Ich brauche keine Sicherheit”

INTERVIEW: Presto Classical: Tamara Stefanovich on “Influences”

INTERVIEW: CSO Sound & Stories: Pianists Stefanovich and Aimard, ‘reflecting the time we live in’

INTERVIEW: kultur.west: Ein Gespräch mit Pierre-Laurent Aimard und Tamara Stefanovich

INTERVIEW: Rhinegold Publishing: An equal music: Q&A with Tamara Stefanovich and Pierre-Laurent Aimard

PORTRAIT: Klassikinfo: Der Mount Everest

REVIEW: Oregon Artswatch: Tamara Stefanovich’s passionate pairing of past and present

INTERVIEW: Geräusche über Musik: Tamara Stefanovich im Gespräch

INTERVIEW: The Cross-Eyed Pianist: Meet The Artist … Tamara Stefanovich, pianist